In ‘Minuet’, a man works eight hours a day in the deep-freeze basement of a factory. In that polar world he is accompanied only by his own fears and thoughts, and for hours on end he has conversations with himself. At home, he withdraws to his collection of newspaper clippings about brutal rapes and gruesome murders. His wife is his complete opposite, being optimistic in nature and eager to climb the social ladder. Her marriage is thrown off balance however, when she falls pregnant by a travelling salesman, and a 12-year-old pubescent girl, reminiscent of Nabokov’s Lolita, comes to help in the household.
One of the greatest figures in Flemish fictionDe Nieuwe Gazet
As the characters come to life in the triangular relationship, Boon masterfully depicts them as an isolated man, a shameless girl and a materialistic woman, acting in a somewhat strange allegory of our world. The neurotic protagonist poses critical questions about religion, monarchy and the State and a generational conflict is staged between the hard-working middle-class woman and the rebellious child-temptress. The story’s claim to realism is accented by authentic newspaper reports of murders and rapes, printed at the top of the pages, exposing the perversity of modern man.