Travel has always been at the core of nonfiction in Flanders. Whether authors do research overseas or in neighbouring countries, even travel through the home country to find an answer to their questions, they always open up wide vistas on the history of the visited places. A selection.
Harry Kessler was an intellectual dandy, and politics and art were the focus of his life. He defended the arts from every form of political interference. As an arts patron, lover of males, publisher, thinker and writer, he pledged himself to no one and refused to live according to other people’s expectations.
Compelling, moving, astonishingly true to life – a masterpiece!
Herman Van Goethem
In ‘Lost’ Ingrid Vander Veken uses individual stories to describe the lesser-known pathways of the great events of history. She was contacted by the relatives of a family smashed to pieces by the Second World War, asking her whether, based on a paper archive, she would be willing to search for traces of a woman who, along with her young son, fled Nazi persecution for four years only to die in Auschwitz.
This is a major work by Jeroen Theunissen, one of our best wordsmiths. Impressive.
David Van Reybrouck
When he was around twenty, Jeroen Theunissen came across a map of Europe in a travel agency, with thick purple lines marking long-distance hikes. When, many years later, the writer starts suffering from anxiety attacks and depression and feels melancholic and trapped in an unhappy marriage, he leaves everything and everyone behind, including his two children, and embarks on a six-month walk from Southwest Ireland to the Bosporus Strait.
In the Belgian with the funny accent, Urk has found its own Louis Theroux who has opened up the village to the rest of the world.
Tzum
Dissatisfied with an article about a murder on Urk he wrote as a burgeoning journalist, Matthias M.R. Declercq returns in a renewed effort to get to grips with one of the most peculiar villages in the Netherlands. For six months, Declercq lives in the most closed and orthodox fishing village in the Dutch Bible Belt, where he talks to the locals, prays with them, drinks with them, and even goes out fishing with them for a week. Little by little, the trust between them grows and a different reality comes to the fore.
Much is currently being written about the Chinese exploitation of Africa, but who is writing about the price China pays? The answer: Lieve Joris, and brilliantly, too.
NRC Handelsblad
What happens when people meet who do not share a colonial past? With that question in mind, Lieve Joris leaves Africa for China. In keeping with the modus operandi she has refined over past decades, she immerses herself in the world of Africans and Chinese who venture into each other’s territory in the slipstream of the big trade contracts.
Verbeken brings back to life the era of the great expectations
De Volkskrant
Pascal Verbeken registers the small and the large signs of the times. He listens to a multicoloured collection of Belgians and their unique, sometimes tragic stories. ‘Grand Central Belge’ is a requiem for a divided country that does not succeed in chasing its old demons away.
