Flanders Literature helps publishers and festival organisers find that one particular title or author that is the perfect fit for their list or audience. So take a good look around, we present a selection of the finest literature from Flanders. If you like what you see, please get in touch with us for further information.
Moeyaert proves without doubt that even a happy childhood can be a goldmine for a writer.
De Volkskrant
Bart Moeyaert is the youngest of seven brothers. His early years in his native city of Bruges were particularly happy and furnished him with an abundance of material for this much-praised autobiographical collection. In the forty-nine stories, humour, warmth and a sense of solidarity are prominent, but between the lines lies a far richer spectrum of emotions.
This novel, peppered with countless striking metaphors and colloquialisms, describes the vivid history of a family in a Flemish village. The essence of the novel is a cautious fumbling for truth. A young boy attempts to fathom his grandmother’s proud, dour demeanour and to get closer to his teacher. But above all he wants to understand what happened to Marcel.
A rabbit family that you instantly adopt as your own
De Leeswelp
Ricky Rabbit is different from the other rabbits: his right ear droops, while his left ear stands straight up. Whatever he does, the other rabbits make fun of him. In the end, his humour earns him a place in the group as the entertainer.
I am well past fifteen years old, but I am glad that this book has come my way.
Het Parool
Through the eyes of a fifteen-year-old girl, we witness the life of a broken family over the course of three stories. In the first of the three we plunge straight into a fierce family quarrel. All survive intact. But the tone has been set. Bart Moeyaert deals with love in a sensitive and refreshing way, expertly unravelling its complexities while at the same time leaving its mystery intact.
Claes’ ingenuity conceals the fact that he has cast his tale in the form of a thriller - a convincing and exciting thriller
De Volkskrant
‘The Phoenix’ is a historical detective story in the tradition of Umberto Eco’s ‘The Name of the Rose’. It takes place in Florence in 1494, and the leading character is one of the greatest scholars of the Renaissance, Count Pico della Mirandola, known as the Phoenix.
Aspe’s characters are very complex, his plot excellent.
Vrij Nederland
‘From Bruges with Love’ is the third instalment in the popular thriller series around Inspector Van In. By touching on issues such as paedophilia, corruption and blackmail, the narrative provides a critique of the cover-ups that have rocked Belgian politics.
‘The Rose and the Swine’ was inspired by ‘Beauty and the Beast’ and is a tribute to the primal force of the fairy tale. Provoost, a celebrated author for all ages, offers her readers works of the highest literary quality.
A particularly complex plot that intrigues, surprises and fascinates until the very last page
De Morgen
‘The Midas Murders’is the second in the popular crime series around the eccentric Inspector Pieter Van In. The title refers to King Midas, the Greek mythological figure who had the ability to turn everything he touched into gold. Aspe demonstrates that in both ancient Greece and present-day Belgium profiteering can lead to tragedy.
‘The Rumours’ evokes a panoramic image of 'la Flandre profonde', delving beneath the shiny veneer into the depths of its corruption and violence. Comprehension of the central storyline is hampered by the permanent tension between truth and lie. All this is presented by Claus in a playful style, as if we were reading not a dramatic allegory but a juicy village chronicle.
An accurate, well-researched depiction of the extreme political tensions in the Middle East in the twentieth century. Against this historical backdrop, Mendes steers his story to a spectacular climax.
She has expanded the boundaries of travel writing.
Times Literary Supplement
In Mali Blues Lieve Joris travels from Senegal via Mauretania to Mali. She gives a portrait of the people she encounters. In their will to survive they have learned to adapt to constants such as poverty and rebellion.
Stylistically sharp from beginning to end, a tour de force throughout
De Groene Amsterdammer
Eduard Bottelaer is a forty-year-old actor who doesn’t expect much from life any more. That is, until he meets the young artist Helena. When she sets off for New York, leaving Eduard behind, she gives him a special task. Eduard is hopelessly in love and becomes obsessed by the bizarre challenge, which lands him in the most unexpected situations.
There cannot be many writers as tough and sensitive as Bart Moeyaert.
NRC Handelsblad
A master of creating an oppressive atmosphere, Moeyaert succeeds in making his readers sense everything. There’s no air, there’s no escape, just an inevitable chain of events. In haunting and poetic prose, Bart Moeyaert displays his razor-sharp observation of the human psyche and the dangers of prejudice.
In ‘To Blackbird Creek’, Stefan Hertmans narrates the coming of age of a boy in a Flemish village in the 1950s and 60s, in a grotesque, but just as often moving way. His budding sexuality and lively imagination so take possession of him that the world appears dark, terrifying and full of secrets.
'Falling' exhibits the traits of a classic tale of destiny.
Woutertje Pieterse Prize jury
Lucas is spending the summer with his mother in his grandfather’s house as he does every year. This year, however, everything is different: his grandfather died at Christmas and gradually tongues are beginning to wag about his war years. In a sober style and with atmospheric, detailed descriptions and convincing dialogue, Anne Provoost creates an extraordinarily oppressive feel to her novel.
More beautiful and more moving prose has not appeared this year. A gem.
Vrij Nederland
Thisbook is narrated by the author as a young boy, who listens to his mother read out letters from her absent sister-in-law, a Catholic nun doing missionary work in far-off China. The novelty is the narration of the story from a child’s perspective – a child who is so close to the ground that he tells people apart by their feet.
An original and particularly funny novel full of amusing melancholy
NRC Handelsblad
Lanoye has managed to deal with the banal subject of a boy's unrequited love in a thoroughly unbanal way. This auto-biographical story retains its power because it is imbedded in the hilarious background of a childhood in Flanders around 1970. With his rich, melancholic style Lanoye has been able to create a modest monument for his first `touching' romance.
Fresh and candid. De Kuypers’s amused style lifts everything up out of the everyday.
Vrij Nederland
At the end of the 1940s a family from Brussels resume a pre-war tradition of spending the summer in Ostend, on the Belgian coast. As he plays, the young boy Eric takes it all in: the sights, textures, tastes and smells – all the things his adult self will remember with delight and wonder.
Ingeniously constructed and imaginative tales arouse emotion and a sense of tragedy.
Het Parool
The four stories in this debut provide a caricatured but equally nostalgic and loving impression of ‘La Flandre Profonde’ and demonstrate Lanoye’s feel for humour and style. Although the main character from ‘A Butcher’s Son with Glasses’ resembles the author in many ways, these stories are nevertheless loaded with surrealism, wit and crackling irony.
Central to ‘The Accursed Fathers’ is the life story of Pamela. Rejected by her mother who had been hoping for a boy, browbeaten by her father whom she refuses to hate, the heroine of the story is the eternal victim of a hereditary curse. Through her central character, Monika van Paemel exposes the subjugation of women
One of the landmark European novels of the post-war era
J.M. Coetzee
This Bildungsroman is also a social document about political and social misfortune in Flanders before, during, and after World War II. The novel has continued to be a bestseller for many years and has been translated into numerous languages.
‘Friday’ introduced characters who became classics.
De Volkskrant
Claus does not shy away from brutality in this piece. In fluent and vivid colloquial language, a mix of words and idioms from the West Flemish dialect and standard Dutch, he delivers a raw story that crossed all boundaries of genre and decency at the time.
Geeraerts’ sentences twist and twine across the pages
NRC Handelsblad
'Black Venus’ is one of the most talked-about novels from post-war Flanders. To this day, the controversy surrounding the publication remains intense. Originally lauded as brilliant, today the book is mainly decried for extolling racism, colonial despotism and misogyny.
A work of lasting value for any conscious human being
Algemeen Dagblad
Basile Jonas, a sensitive and vulnerable teacher, is crushed and devoured by the totalitarian and materialistic society he lives in. Everything in this society is geared towards Utility and Profit, leaving no space for softer values such as poetry, music and friendship.
He bursts from every page and every line is brimming with a zest for life
Peter Verhelst
‘The Alpha Cycle’ is one of the most overwhelming reading experiences in postwar literature. This five-volume series owes its legendary status to Michiels’ unsurpassed use of crystal-clear, almost primitive language. The first two volumes in particular, ‘Book Alpha’ (1963) and ‘Orchis Militaris’ (1968), have lost nothing of their punch.
The Heylen family hold an annual memorial for their dead mother in the vicarage of a Flemish village. This year, however, the solemn day sees friction and misunderstandings bubble to the surface, which makes for a chaotic gathering. In a haze of sexuality and violence, the hour of truth draws closer.
‘Wonder’ is without any doubt one of the landmarks of twentieth-century Dutch literature. The baroque plot is intertwined with strong psychological portraits, scenes from Flemish military history and lurid images of desire.
Sabine, who is confined to a wheelchair, is praying for a miracle. In exchange for a cure, she promises God to serve as a nun for the rest of her life. Her sole condition is that she gets to spend one more year with her lover Joris. Sabine is cured, but does not keep her promise: she marries Joris. When her husband and child die, she is racked with guilt.
With Jos Vandeloo we have gained one more great and modern writer
Louis Paul Boon
Three workers in a nuclear power station are irradiated during an accident. After examination, they are placed in a separate wing of the hospital, isolated from the rest of society and doomed to die within a week. When, after a few days, one of them dies, the other two men desperately undertake an escape attempt from this terrible isolation.
Journalist Freek Groenevelt’s life is thoroughly shaken up by a series of surprising events that seem to all revolve around an individual called Joachim Stiller. The novel is a textbook example of the magic realist style in which reality is interwoven with surreal elements: nothing is exactly as it seems.
In ‘Minuet’, a man works eight hours a day in the deep-freeze basement of a factory. In that polar world he is accompanied only by his own fears and thoughts, and for hours on end he has conversations with himself. The neurotic protagonist poses critical questions about religion, monarchy and the State.
One of the few truly magnificent novels in Dutch language-literature. A masterpiece.
De Volkskrant
This novel tells the story of Ondine, who was born in a poverty-stricken house in Chapel Road at the turn of the twentieth century. The Times Literary Supplement wrote: 'Since its original appearance in 1953, this novel by the candidate for the Nobel Prize has been controversial as only works in advance of their time can be; and even now that experimental writing is commonplace, it has lost none of its freshness and vitality.'
His is some of the most exquisite work to be found in Dutch.
Het Vaderland
‘Winter in Antwerp’ is the singular follow-up to Gilliams’ ‘Elias or the Struggle with the Nightingales’. Elias now having lost his mother and spent months in hospital, is walking to his elderly father’s house. In brief, associative, yet carefully composed chapters, the narrator examines his past, his obsessions and his fears.
After a mysterious journey in a train populated with sleeping passengers, three train travellers find themselves in a strange, shadowy land, a timeless transition area, to which each responds in his own way.
A mix of acutely observed human passions and surrealist contradictions
Dietsche Warande en Belfort
Teacher Govert Miereveld becomes enchanted by his pupil Fran. Unable to express his love, he leaves the school and changes both his job and hometown. Ten years later he attends an autopsy, which affects him a great deal. Later that day, he also runs into Fran in the hotel where he is staying. That night, he visits her in her hotel room, where a drama unfolds.
This splendid, painful, sparkling book is worth reading and rereading
De Standaard
‘My Little War’ is based on Boon's own war experiences during World War II. It is a collection of thirty loosely interrelated chapters, each containing a story that can be read independently. ‘My Little War’ is to Flemish literature what ‘Voyage au bout de la nuit’ by Louis-Ferdinand Céline is to French literature: a slap in the face to bourgeois literature, a radical experiment that thoroughly shook up the traditional novel.
A finely tempered piece, with an intuitive sympathy for strange modes of feeling
The Times
‘Will-O’-The-Wisp’, the last of Elsschot's novellas, tells the story of the nocturnal search by the rather washed-up Frans Laarmans and three Afghan sailors for the mysterious Maria van Dam. The simple plot of a fruitless search in an urban setting contains undertones of a wider parable of the quest, thus making a concentrated summary of the themes that run through all Elsschot’s novels.
An enthralling creation myth with almost biblical appeal and ambition
De Morgen
In ‘Houtekiet’, Walschap gives a concise, powerful portrayal of his own ideal of the individual and society. ‘Houtekiet, that’s me,’ he admitted. This is a novel about civilisation and faith that goes beyond the traditional differences between culture and nature, between institutionalised religion and individual vitalism.
Elsschot possesses the rare knack of making a reader laugh, squirm and sob, all at the same time
The New York Times
The novellas ‘Soft Soap’ (1924) and ‘The Leg’ (1938) are two highlights from Elsschot’s fiction, linked by a common narrative and featuring the recurring tragicomic Keatonesque character of Frans Laarmans who also appears in Will-o’-the-Wisp (1946).
In a series of fascinating scenes, Gilliams evokes the vulnerable position of a boy growing up amongst older people in a world shaped by nostalgia and the fear of life. Elias perceives that world ‘in the lucidity of a dream’. The precision of observation and narrative evocation is what makes ‘Elias’ such a masterpiece.
The most beautiful ode to rural life ever written in the Dutch language
De Standaard
Farmer Wortel recounts the story of his life: his connection to the soil which he works, his relationship with God (and pastor), and his natural acceptance of his and his family’s fate. The story, written in the first person, echoes with this simple man’s love for life.
One can speak of Elsschot’s oeuvre as great European literature
Frankfurter Allgemeine Zeitung
Since its publication in English, ‘Cheese’ has conquered the world with translations in more than 30 languages. The novella deals with an episode in the life of Frans Laarmans, a clerk who is suddenly made chief representative of a Dutch cheese company. ‘Cheese’ is a satire of the business world and the perfect vehicle for Elsschot’s dry humorous style. In a brilliant evocation of the thirties, it depicts a world full of smart operators and failed businessmen.
‘Novellas that attempt to make a fool of people,’ is how Paul van Ostaijen once described his grotesques. In these astonishing texts full of absurd blow-ups, he lashed out against the wrongs of his time, mercilessly unsettling all logic.
Streuvels is the Tolstoy of the Lowlands. Magisterial.
David Van Reybrouck
This story gives an inimitable description of the monotony and finiteness of life against the backdrop of a drunken, nocturnal atmosphere in which dream and reality are masterfully interwoven. With this novella, bathed in a magic-realistic atmosphere, Streuvels has written one of the loveliest short stories in Dutch literature.
Embedded in a fragmentary atmospheric sketch of life in the port of Antwerp during World War I, ‘Occupied City’ is first and foremost a settling of accounts with the bourgeois culture and politics of Ostaijen’s period. The Dadaist influence from his time in Berlin can be found in its inventive rhythmical typography, its use of the collage technique, and the radicalism of its unparalleled cynical evocation of wartime suffering.
‘Whitey’ by Ernest Claes is a picaresque novel about youthful escapades and growing up. Set in the village of Zichem in De Kempen, the Flemish region where both the author and his character were born, it is one of the prototypes of the immensely popular regional novel. The story of the hero’s childish pranks is a classic of Flemish literature, which has been adapted for the big screen on two occasions.
An ‘ode to life’ written after a moral and physical crisis, ‘Pallieter’ was warmly received as an antidote to the misery of World War I in occupied Belgium. ‘Pallieter’ is a portrait of Flemish rural life in which there is never a cheerless moment.
One can speak of Elsschot’s oeuvre as great European literature
Frankfurter Allgemeine Zeitung
Set in a down-market Paris boarding house before World War I, this novel is a masterpiece of ironic black humour. The Villa’s owner, the energetic Madame Brulot, is childless and lavishes more affection on her pet monkey, Chico, than on her husband, an embittered ex-solicitor.
Streuvels is the Tolstoy of the Lowlands. Magisterial.
David Van Reybrouck
‘The Flax Field’ is constructed as a classic tragedy, and tells of the tragic conflict between father and son Vermeulen. The father rules over his entire farm as an authoritarian patriarch. But Louis, his almost grown up son who has quite a bit of insight into farming, thinks differently.
Conscience is a Flemish icon, his writing renowned and devoured within his lifetime, even outside of the borders of the newly-independent Belgium
Cobra
The book tells the tale of the conflict between the cities and the lawful French monarch in the County of Flanders during the Middle Ages, culminating in the victory of a Flemish peasant militia over the French knights at the 1302 Battle of the Golden Spurs. Conscience enriches events with a great deal of imagination, and so his account morphs into a heroic, superhuman struggle with a timeless and symbolic significance.
