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Debut

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  • W.
    W.
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    W.
    A fresh, original debut novel.
    Trouw

    Olaf's world is shaken by the sudden reappearance of his best friend W. in Antwerp. The news marks the start of thirteen gripping days in which he goes searching for answers. Why did W. disappear? How real are Olaf's memories of their friendship? Hiemstra's debut pays tribute to youth and the idealism that goes with it. An addictive novel with distinctly layered characters, playful in its language and composition.

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  • Cover 'Bintje'
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    Bintje
    Salumu’s debut novel chafes, clings, touches and shames
    De Morgen

    Bintje, who carries both Belgium and Congo within her, struggles with the process of forming an identity and with the influence of the socio-political situation on a family. In meticulous prose, Salumu shows what it’s like to grow up as a girl and woman of colour in a white environment. She raises fascinating philosophical questions about identity, generational trauma, admiration and parenthood, and succeeds in deeply affecting the reader with this passionate debut.

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  • Cover 'Holy Wrath'
    Cover 'Holy Wrath'
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    Holy Wrath
    The pinnacle of his oeuvre, that can easily rival the absurdist novels of ideas by Camus.
    De Standaard

    Peter wants to see the Second World War end as quickly as possible, so he joins the resistance. Engaging in arms drops, sabotage missions, and defending a bridge, he witnesses the brutal toll of conflict. 
    According to D’Haese, not only is warfare senseless, all of life is subject to existential doubt. 
    ‘Holy Wrath’, with its acerbic anti-war message, remains relevant and topical today.

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  • Cover A Very Tiny Ship
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    A Very Tiny Ship
    A masterful little work.
    Louis Paul Boon

    When Chris Yperman published her debut ‘A Very Tiny Ship’, the book quickly acquired a cult status. In the novella, protagonist and narrator Christina describes and documents her turbulent love life and her interaction with a group of friends and lovers.

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  • Cover She.
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    She.
    A strong, pure and pared-down debut.
    the low countries

    Thirty-nine-year-old actress Ada presents a theatrical monologue that she has written, in the city where she completed her theatre training years before. It is also the place where her former drama teacher, who she had a relationship with as a student, lives. In Maaike Neuville's semi-autobiographical debut, a woman dares to speak out and honestly investigates where her own boundaries and those of others lie, whilst considering what responsibility comes with a position of power. 

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  • Cover of the book
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    The Edges
    A hit. I’m hugely impressed by this strong debut.
    Het Nieuwsblad

    This raw, semi-autobiographical debut tells the story of the unnamed protagonist’s childhood and a night with his former lover. It takes the reader through an emotional landscape that’s reminiscent of Ocean Vuong and Douglas Stuart. In cinematic scenes, Angelo Tijssens depicts the pain and longing of a life spent searching.

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  • Honingeter
    Honingeter
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    Honeyeater
    The atmosphere is vaguely reminiscent of Ben Lerner, Samuel Beckett and also the early Peter Handke.
    De Morgen

    Sibel, Ömer and Wernicke all live illegally at Istanbul airport. They symbolize a new generation of adults who do not feel at home in the countries where they were born, nor in their parents’ native lands. In this sensitive debut novel, language and the inability to understand one another are central, as is the impossibility of feeling truly at home if you are unable to speak your mother tongue.

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  • Cover of Raw and As If
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    Raw and As If
    ‘Raw and As If’ long clings to your skin ****
    Het Nieuwsblad

    A young woman murders the man with whom she’s been having an affair for some time. ‘Raw and As If’ is not just a gripping ‘whydunnit’ but an expressively written psychological story about the consequences of a loveless childhood. Tack’s unemotional style builds the tension and sustains the dark world and psyche of the narrator.

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  • Cover of Bump
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    Bump
    A gem of a book that is as fragile and strong as her characters
    The Low Countries

    ‘Bump’ is a poetic fable. Through the triangular relationship between the central characters, it beautifully reveals how difficult it can be to integrate other people into your own desires, and how miraculous moments of connection are. Tender, brief dialogues offer glimpses into a past marked by bereavement.

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  • Cover of Jam Street
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    Jam Street
    'Jam Street’ is chockful of beautiful observations and stylistic gems.
    Haarlems Dagblad

    ‘Jam Street’ is a poetic story about a culture clash in a deprived neighbourhood in Flanders, and it is also an ode to the beauty of the banal. The novel describes the brutal and raw reality of life in the margins, yet it is soft and tender at the same time.

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  • Cover of Pork Chops
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    Pork Chops
    De Gryse knows how to grab a reader by the scruff of the neck
    De Morgen

    Marieke is the youngest of four sisters in a family with an absentee father and an unstable mother. She works in a care home, where she’s happiest in the kitchen. 'Pork Chops' a tragicomic tale about sticking up for yourself and about caring – but above all it’s an ode to comfort food.

     

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  • Cover of Colombe
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    Colombe
    Beautifully written debut*****
    Boeklovers

    A tender novel capturing the soberness of rural life, the daily routine and the things that are unspoken. About a subtly developing love triangle, with eye for nuance and the complexity of the multifaceted love between the characters.

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  • Cover of All Is Safe Here
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    All Is Safe Here
    A raw, physical account of grief and goodbyes****
    HUMO

    A beautifully written debut about loss and (step) motherhood. With immense compassion, Van Offel draws psychological portraits that cannot be viewed independently from identity politics and the wider political situation in Israel.

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  • Cover 'We, the Foam'
    Cover 'We, the Foam'
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    We, the Foam
    As if Mark Oliver Everett of Eels tried his hand at writing fiction.
    Cutting Edge

    In eleven short stories, Van Thuyne introduces the reader to her highly authentic and eccentric universe. She creates a universe peopled by characters who are slowly losing their grip on reality. Her vivid and filmic stories are exercises in controlled madness. ‘We, the Foam’ is highly unconventional and truly remarkable.

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  • Cover Dochter
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    Daughter
    Shockingly raw and enchanting in equal measure *****
    Knack

    Daughter is a girl with learning disabilities. She does not recognise cruelty, or sexual abuse, when it is done to her, or when she does it to someone else. The events are shocking to the reader, but not to Daughter herself. The disconcerting effect of this contrast is reinforced by the book’s extremely efficient, economical style: brief chapters with short sentences that paint a clear and credible picture of the reasoning of a mentally deficient and vulnerable girl.

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  • Cover Who Was the Hat Maker?
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    Who Was the Hatter?
    A marvel of penmanship *****
    De Volkskrant

    Twelve years after they had a short-lived but passionate relationship, the reserved Hermine and the tormented, suicidal writer Didier, drive to a conference in Vienna together. In this autobiographical love tragedy, Zvonik investigates with a delicate pen and psychological finesse to what extent it is possible to love someone, while at the same time keeping your distance.

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  • Cover North
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    North
    Wild, dark, romantic and almost addictively well-written ****
    Focus Knack

    ‘North’ is a carefully crafted and addictively well-written debut novel about ‘indecision in the choice’: the choice between two men, between art and life, between Vancouver and the harsh life in the north, and between the musical styles that are entwined with each location.

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  • Cover The Melting
    330,000 copies sold
    Cover The Melting
    330,000 copies sold
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    The Melting
    A debut that you wish every writer would write: surprising, imaginative and merciless *****
    De Standaard

    Eva, in her late twenties, travels back to her native village with a big block of ice in her car. She has been invited to a viewing of a new milking parlour at a dairy farm where her childhood friend Pim still lives, an occasion that will also serve to commemorate the death of his older brother, who drowned as a young man. Slowly it becomes clear she returned to her village to take revenge for what happened to her as a child...

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  • Cover Hair
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    Hair
    Beautiful in its simplicity, honesty and humanity
    De Leesfabriek

    On their way home from a holiday on the Costa Brava, Suzanne, Catherine and Hanna watch as their mother is mowed down by lorry on the shoulder of a French motorway. From now on, father Ivo will do his best to raise their three daughters, but without great success.

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  • Cover The Antelope Knife
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    Find Me Gone
    An exquisite entry into the literary arena
    De Volkskrant

    Belgium in the 1990s. Hannah and Sophie are twelve and inseparable, the way only twelve-year-old girls can be. But when Hannah falls for the charismatic Damiaan their friendship changes. Then, after a late-night party in the village, Sophie fails to come home.

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  • Cover Cinderella
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    Cinderella
    So confusing, intriguing, dark and horrifying that you want to devour every single page *****
    Cutting Edge

    'Cinderella' is a semi-autobiographical novel about the son of a prostitute who opens a brothel and becomes his mother’s pimp. It is a grand novel, written in raw prose, tackling the tribulations of running a brothel and the inescapable relationship between mother and child. It is a refreshing combination of filth and the sublime, of tragedy and comedy.

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    Even Birds Fall
    Daem's stories exude daring and the urge to experiment. ****
    Cutting Edge

    This book is Daem’s disconcerting, funny and idiosyncratic debut. Despite the often dark subjects – he does not fight shy of death – Daem invariably allows a gleam of hope to show through in his stories. He carries the reader along with his excellent sense of control and structure, working out the dramatic storyline to the last detail.

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  • Cover Woesten
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    Woesten
    Enchantingly beautiful
    De Wereld Draait Door

    ‘Woesten’ recounts a suffocating story full of village gossip about a family in which fate strikes with a heavy hand, leaving no-one unscathed. It portrays a realistic, almost naturalistic image of a typical rural village in the early 20th century and offers a nuanced view of the psychology of intriguing characters.

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  • Cover The City and Time
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    The City and Time
    Robijn fits his touching miniatures into a larger, meaningful story without his characters becoming puppets.
    De Standaard

    'The City and Time' consists of nine stories in chronological order, all of which take place in Brussels. Robijn’s characters all have difficulty getting by in life, but succeed by throwing themselves blindly into their regular activities. Until something – often love – turns up and turns everything upside down.

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  • Cover Many Heavens Beyond the Seventh
    Cover Many Heavens Beyond the Seventh
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    Many Heavens Beyond the Seventh
    Delightful
    HP/De Tijd

    Five people, linked together, tell their story. They talk about unexpected happiness that makes things complicated, about secrets that seem too big to handle, about the complex art of being young, about obstacles that seem like mountains, about keeping on trying, to the point where no one can go any further.

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  • Cover Up To Date
    EU Prize for Literature
    Cover Up To Date
    EU Prize for Literature
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    Up To Date
    Van Gerrewey proves once again that the intangible nature of love is still fuel for literature
    De Morgen

    A man wakes up in a house belonging to friends who have gone on holiday. Accompanied by their cat, he recalls the previous summer, when a woman was still with him. He decides to write to her to bring her up to date with recent developments.

    Is this a letter of complaint from a jilted lover, an exhibitionist confession to the world, or a scrupulous self-examination?

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  • Cover Vloed
    Cover Vloed
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    Flood
    This is not just a great debut novel, it’s a great book in general
    De Standaard

    An uncompromising reflection of the zeitgeist. Set against the backdrop of an ecological disaster, Roderik Six deploys his razor-sharp style to deliver a chilling story about the resilience of man and his ruthless urge to survive.

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  • Cover Barely Body
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    Barely Body
    Flawless stories like these haven’t appeared in Flanders for a long time.
    Knack

    ‘Barely Body’ is a collection of five classic existentialist tales about people who are alive only in the physical sense. Their dreams are mercilessly eroded by the ravages of time, turning them into pale shadows of who they used to be.

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  • Cover - Woman Country
    Cover - Woman Country
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    Woman Country
    A wonderful story, impossible to put down
    De Morgen

    The novel presents a Moroccan outlook on the differences between Moroccans in Morocco and those who have emigrated; between their own values and Western values; between tradition and the modern ways of thinking that men find so hard to deal with.

    Lamrabet creates above all a subtle and convincing portrait of a fascinating woman, who, standing firmly by her decisions, must pay the social and intellectual price.

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  • Cover The Phoenix
    Cover The Phoenix
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    The Phoenix
    This is a story about how tragic loss can totally consume a human being. Chika Unigwe’s spare and accessible telling has created a truly poignant narrative.
    Ike Oguine

    She explores the relationship between migration and loneliness, both of which are becoming more entrenched in modern European society. ‘The Phoenix’ is Unigwe’s debut novel: the story of a strong woman who, hit by loss, homesickness and illness, tries to keep going. 

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  • Cover Blockmeat (Scraps)
    Cover Blockmeat (Scraps)
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    Blockmeat
    Detached and playful; mischievous, ironic, ambiguous and not seldom hilarious
    De Morgen

    The main character in ‘Blockmeat’ and his pal Celis attempt to organise a ‘better’ food distribution for the homeless. But thanks to the liberal amounts of wine involved, this inevitably gets completely out of hand.

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  • Cover Sleep!
    Most translated debut
    Cover Sleep!
    Most translated debut
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    Sleep!
    Funny, singular and moving
    De Morgen

    ‘Sleep!’ is a convincing novel about two insomniacs, in which the author uses the complex personalities of her characters to pen a strikingly insightful vision of life and its experiences. Verbeke writes about the underdog, about people whose poignant yearning for a normal life arouses our compassion.

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  • Cover The Plague
    Cover The Plague
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    The Plague
    A talented writer, original and funny, who is definitely one to watch
    Le Monde

    While working on his thesis, David Van Reybrouck came across the accusation that the Belgian writer and Nobel Prize winner Maurice Maeterlinck had plagiarised from the work of the South African author Eugène Marais. ‘The Plague’ sweeps the reader along in a thrilling literary adventure, which leaves its image on the mind’s eye long after the last page has been turned.

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  • Cover Marcel
    Cover Marcel
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    Marcel
    A literary debut of great originality
    The Times Literary Supplement

    This novel, peppered with countless striking metaphors and colloquialisms, describes the vivid history of a family in a Flemish village. The essence of the novel is a cautious fumbling for truth. A young boy attempts to fathom his grandmother’s proud, dour demeanour and to get closer to his teacher. But above all he wants to understand what happened to Marcel.

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  • Cover Toast
    Cover Toast
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    Toast (Tox/Soap/Web)
    Hard, pleasantly crude and more topical than ever. His stories are on fast forward without the brakes on.
    De Standaard over 'Web'

    Mennes depicts young characters who resort to extreme measures in an attempt to deal with the emptiness of their lives. ‘Toast’ offers a heart-wrenching and impressive portrait of a Lost Generation.

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  • Cover By the Sea
    Cover By the Sea
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    By the Sea
    Fresh and candid. De Kuypers’s amused style lifts everything up out of the everyday.
    Vrij Nederland

    At the end of the 1940s a family from Brussels resume a pre-war tradition of spending the summer in Ostend, on the Belgian coast. As he plays, the young boy Eric takes it all in: the sights, textures, tastes and smells – all the things his adult self will remember with delight and wonder.

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  • Cover A Butcher's Son with Glasses
    Cover A Butcher's Son with Glasses
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    A Butcher's Son with Glasses
    Ingeniously constructed and imaginative tales arouse emotion and a sense of tragedy.
    Het Parool

    The four stories in this debut provide a caricatured but equally nostalgic and loving impression of ‘La Flandre Profonde’ and demonstrate Lanoye’s feel for humour and style. Although the main character from ‘A Butcher’s Son with Glasses’ resembles the author in many ways, these stories are nevertheless loaded with surrealism, wit and crackling irony.

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  • Cover The Duck Hunt
    Cover The Duck Hunt
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    The Duck Hunt
    Truly sublime
    Simon Vestdijk

    'The Duck Hunt' is the story of a Flemish farming family during World War II. The centre of the family is the widow Metsiers, who is called ‘the Mother’. Years ago, she murdered her husband, together with her lover Mon Verkindere, with whom she now lives on the farmstead. She has two children: Ana and Bennie. Bennie and his half-sister are driven ever closer together, until a love grows between them for which Bennie eventually has to pay the price.

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  • Cover 'Villa des Roses'
    Cover 'Villa des Roses'
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    Villa des Roses
    One can speak of Elsschot’s oeuvre as great European literature
    Frankfurter Allgemeine Zeitung

    Set in a down-market Paris boarding house before World War I, this novel is a masterpiece of ironic black humour. The Villa’s owner, the energetic Madame Brulot, is childless and lavishes more affection on her pet monkey, Chico, than on her husband, an embittered ex-solicitor.

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