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  • Cover Friday
    Cover Friday
    Friday
    ‘Friday’ introduced characters who became classics.
    De Volkskrant

    Claus does not shy away from brutality in this piece. In fluent and vivid colloquial language, a mix of words and idioms from the West Flemish dialect and standard Dutch, he delivers a raw story that crossed all boundaries of genre and decency at the time.

  • Cover Gangreen 1 - Black Venus
    Cover Gangreen 1 - Black Venus
    Gangrene 1 - Black Venus
    Geeraerts’ sentences twist and twine across the pages
    NRC Handelsblad

    'Black Venus’ is one of the most talked-about novels from post-war Flanders. To this day, the controversy surrounding the publication remains intense. Originally lauded as brilliant, today the book is mainly decried for extolling racism, colonial despotism and misogyny. 

     

  • Cover The Alpha Cycle
    America Award
    Cover The Alpha Cycle
    America Award
    The Alpha Cycle
    He bursts from every page and every line is brimming with a zest for life
    Peter Verhelst

    ‘The Alpha Cycle’ is one of the most overwhelming reading experiences in postwar literature. This five-volume series owes its legendary status to Michiels’ unsurpassed use of crystal-clear, almost primitive language. The first two volumes in particular, ‘Book Alpha’ (1963) and ‘Orchis Militaris’ (1968), have lost nothing of their punch.

  • Regarding Deedee
    Claus’ sensitive writing is hard to match
    Trouw

    The Heylen family hold an annual memorial for their dead mother in the vicarage of a Flemish village. This year, however, the solemn day sees friction and misunderstandings bubble to the surface, which makes for a chaotic gathering. In a haze of sexuality and violence, the hour of truth draws closer.

  • Wonder
    A work of savage satire
    The New York Review of Books

    ‘Wonder’ is without any doubt one of the landmarks of twentieth-century Dutch literature. The baroque plot is intertwined with strong psychological portraits, scenes from Flemish military history and lurid images of desire.

  • Cover Death of a Nun
    Cover Death of a Nun
    Death of a Nun
    A classic of Flemish literature
    De Standaard

    Sabine, who is confined to a wheelchair, is praying for a miracle. In exchange for a cure, she promises God to serve as a nun for the rest of her life. Her sole condition is that she gets to spend one more year with her lover Joris. Sabine is cured, but does not keep her promise: she marries Joris. When her husband and child die, she is racked with guilt.

  • Cover The East Acre Poems
    Cover The East Acre Poems
    The East Acre Poems
    Distinctly innovating poetry resulting in a whirling reading experience
    Literaire Canon

    Using old myths of fertility described by Frazer, biblical and Christian references and literary quotations, Claus evokes a mythical and fatal family constellation in which the mother, the father, the son and the beloved play roles that are alternately driven by desire and love, but also by fear and hatred. Definitely one of the highpoints in his oeuvre.

  • Cover Klinkaart
    Cover Klinkaart
    Klinkaart
    A fast-paced and nuanced story, a strong indictment of the exploitation of the child
    NBD Biblion

    A young girl from a working-class family gets up early for her first day at the brickworks. This first day at work means both the end of her childhood years and her ‘initiation’ into adult life. She makes her first acquaintance with the gruelling work, the brutality of the workers and the tyranny of Krevelt, the dreaded boss. She can see only one way out: the young love that blossoms between her and an apprentice. But will that be enough of an anchor to keep her from drifting into the danger that fate is mercilessly pushing her towards?

  • Cover Chapel Road
    Cover Chapel Road
    Chapel Road
    One of the few truly magnificent novels in Dutch language-literature. A masterpiece.
    De Volkskrant

    This novel tells the story of Ondine, who was born in a poverty-stricken house in Chapel Road at the turn of the twentieth century. The Times Literary Supplement wrote: 'Since its original appearance in 1953, this novel by the candidate for the Nobel Prize has been controversial as only works in advance of their time can be; and even now that experimental writing is commonplace, it has lost none of its freshness and vitality.'

  • Winter in Antwerp
    His is some of the most exquisite work to be found in Dutch.
    Het Vaderland

    ‘Winter in Antwerp’ is the singular follow-up to Gilliams’ ‘Elias or the Struggle with the Nightingales’. Elias now having lost his mother and spent months in hospital, is walking to his elderly father’s house. In brief, associative, yet carefully composed chapters, the narrator examines his past, his obsessions and his fears.

  • Cover The Battle with the Angel
    Cover The Battle with the Angel
    The Battle with the Angel
    Monumental epic grandeur
    Grand Prize for Literature

    ‘The Battle with the Angel’ tells of the life of a community, spread over several generations, but primarily between the world wars. The work bears witness to an unbridled creative force masterfully endeavouring to portray the contrast between primeval nature and decadence. Teirlinck never moralises or lectures, but is majestic and full of compassion for his characters.

  • Cover Lament for Agnes
    Cover Lament for Agnes
    Lament for Agnes
    An unusually accomplished book
    Libertinage

    ‘Lament for Agnes’ is essentially an autobiographical novel. The character of Agnes is in many respects that of Gijsen’s own fiancé who died of TB, while the narrator has much in common with the authors as a young man. ‘Lament for Agnes’ is a  novel that is once deeply personal and a fully independent work of art.

  • Cover The Duck Hunt
    Cover The Duck Hunt
    The Duck Hunt
    Truly sublime
    Simon Vestdijk

    'The Duck Hunt' is the story of a Flemish farming family during World War II. The centre of the family is the widow Metsiers, who is called ‘the Mother’. Years ago, she murdered her husband, together with her lover Mon Verkindere, with whom she now lives on the farmstead. She has two children: Ana and Bennie. Bennie and his half-sister are driven ever closer together, until a love grows between them for which Bennie eventually has to pay the price.

  • Cover Complete Poems
    Cover Complete Poems
    Complete Poems
    A pantheistic polyglot and conservative Catholic

    At the end of his life and in the first two decades of the 20th century, Gezelle was hailed by the avant-garde as the founder of modern Flemish poetry, and his unique voice was also belatedly recognised in the Netherlands and often compared with his English contemporary Gerard Manley Hopkins.

  • Cover The Man Who Had His Hair Cut Short
    Cover The Man Who Had His Hair Cut Short
    The Man Who Had His Hair Cut Short
    A mix of acutely observed human passions and surrealist contradictions
    Dietsche Warande en Belfort

    Teacher Govert Miereveld becomes enchanted by his pupil Fran. Unable to express his love, he leaves the school and changes both his job and hometown. Ten years later he attends an autopsy, which affects him a great deal. Later that day, he also runs into Fran in the hotel where he is staying. That night, he visits her in her hotel room, where a drama unfolds.

  • Cover Pitfalls
    Cover Pitfalls
    Pitfalls
    A literary all-rounder who explores all facets of life
    De Volkskrant

    ‘Pitfalls’ is a varied collection of letters, verse and short stories. The excerpts from the letters – which were never intended to be made public – caused a furore at the time. The title refers to the obstacles between Minne and the process of writing, between the author and publication – in other words, to the aforementioned struggle. As Minne put it: ‘Caution, enter at your peril!’

  • Cover Houtekiet
    Cover Houtekiet
    Houtekiet
    An enthralling creation myth with almost biblical appeal and ambition
    De Morgen

    In ‘Houtekiet’, Walschap gives a concise, powerful portrayal of his own ideal of the individual and society. ‘Houtekiet, that’s me,’ he admitted. This is a novel about civilisation and faith that goes beyond the traditional differences between culture and nature, between institutionalised religion and individual vitalism.

  • Cover 'Soft Soap/The Leg'
    Cover 'Soft Soap/The Leg'
    Soft Soap/The Leg
    Elsschot possesses the rare knack of making a reader laugh, squirm and sob, all at the same time
    The New York Times

    The novellas ‘Soft Soap’ (1924) and ‘The Leg’ (1938) are two highlights from Elsschot’s fiction, linked by a common narrative and featuring the recurring tragicomic Keatonesque character of Frans Laarmans who also appears in Will-o’-the-Wisp (1946).

  • Cover - Elias or the Struggle With the Nightingales
    Cover - Elias or the Struggle With the Nightingales
    Elias or the Struggle With the Nightingales
    Every single line sparkles and shines
    De Volkskrant

    In a series of fascinating scenes, Gilliams evokes the vulnerable position of a boy growing up amongst older people in a world shaped by nostalgia and the fear of life. Elias perceives that world ‘in the lucidity of a dream’. The precision of observation and narrative evocation is what makes ‘Elias’ such a masterpiece.

  • Cover Grotesques
    Cover Grotesques
    Grotesques
    Very well worth discovering
    Staalkaart

    ‘Novellas that attempt to make a fool of people,’ is how Paul van Ostaijen once described his grotesques. In these astonishing texts full of absurd blow-ups, he lashed out against the wrongs of his time, mercilessly unsettling all logic.

  • Cover - Het leven en dood in de ast
    Cover - Het leven en dood in de ast
    Life and Death in the Chicory Kiln
    Streuvels is the Tolstoy of the Lowlands. Magisterial.
    David Van Reybrouck

    This story gives an inimitable description of the monotony and finiteness of life against the backdrop of a drunken, nocturnal atmosphere in which dream and reality are masterfully interwoven. With this novella, bathed in a magic-realistic atmosphere, Streuvels has written one of the loveliest short stories in Dutch literature.

  • Cover The Aunts
    Cover The Aunts
    The Aunts
    A wonderful book, in my opinion. All real people, larger than life.
    Willem Elsschot

    ‘The Aunts’ is a classic novel about the tragedy of a petit-bourgeois family in the early 20th century. This literary tale is, above all, an indictment against the oppressive class-ridden society of the time, but the melodramatic highpoints and the cynical tone will effortlessly fascinate today’s reader.

  • Cover Occupied City
    Cover Occupied City
    Occupied City
    A milestone of modernist poetry

    Embedded in a fragmentary atmospheric sketch of life in the port of Antwerp during World War I, ‘Occupied City’ is first and foremost a settling of accounts with the bourgeois culture and politics of Ostaijen’s period. The Dadaist influence from his time in Berlin can be found in its inventive rhythmical typography, its use of the collage technique, and the radicalism of its unparalleled cynical evocation of wartime suffering.

  • Cover The Peasant, Dying
    Cover The Peasant, Dying
    The Dying Peasant
    Maybe it’s the finest thing by Van de Woestijne that we have
    Martinus Nijhoff

    Evening falls, it grows dark, the peasant Nand is lying alone in bed and is cold. Scraps of his life flash by his mind’s eye. ‘The Dying Peasant’ isn’t just an anecdotal peasant novella, but a symbolic tale that excels in its simplicity.

  • Cover 'Villa des Roses'
    Cover 'Villa des Roses'
    Villa des Roses
    One can speak of Elsschot’s oeuvre as great European literature
    Frankfurter Allgemeine Zeitung

    Set in a down-market Paris boarding house before World War I, this novel is a masterpiece of ironic black humour. The Villa’s owner, the energetic Madame Brulot, is childless and lavishes more affection on her pet monkey, Chico, than on her husband, an embittered ex-solicitor.

  • The Van Paemel Family
    A moving play
    NBD Biblion

    In ‘The Van Paemel Family’, Cyriel Buysse addresses the social exploitation and immense poverty of the rural population. Buysse paints a picture of how the farmer becomes ruined and his family falls apart as a result of socioeconomic conditions. Although Buysse offers no solutions to the conflict, there is still a glimmer of hope.