Flanders Literature helps publishers and festival organisers find that one particular title or author that is the perfect fit for their list or audience. So take a good look around, we present a selection of the finest literature from Flanders. If you like what you see, please get in touch with us for further information.
One of the few truly magnificent novels in Dutch language-literature. A masterpiece.
De Volkskrant
This novel tells the story of Ondine, who was born in a poverty-stricken house in Chapel Road at the turn of the twentieth century. The Times Literary Supplement wrote: 'Since its original appearance in 1953, this novel by the candidate for the Nobel Prize has been controversial as only works in advance of their time can be; and even now that experimental writing is commonplace, it has lost none of its freshness and vitality.'
His is some of the most exquisite work to be found in Dutch.
Het Vaderland
‘Winter in Antwerp’ is the singular follow-up to Gilliams’ ‘Elias or the Struggle with the Nightingales’. Elias now having lost his mother and spent months in hospital, is walking to his elderly father’s house. In brief, associative, yet carefully composed chapters, the narrator examines his past, his obsessions and his fears.
‘The Battle with the Angel’ tells of the life of a community, spread over several generations, but primarily between the world wars. The work bears witness to an unbridled creative force masterfully endeavouring to portray the contrast between primeval nature and decadence. Teirlinck never moralises or lectures, but is majestic and full of compassion for his characters.
‘Lament for Agnes’ is essentially an autobiographical novel. The character of Agnes is in many respects that of Gijsen’s own fiancé who died of TB, while the narrator has much in common with the authors as a young man. ‘Lament for Agnes’ is a novel that is once deeply personal and a fully independent work of art.
After a mysterious journey in a train populated with sleeping passengers, three train travellers find themselves in a strange, shadowy land, a timeless transition area, to which each responds in his own way.
'The Duck Hunt' is the story of a Flemish farming family during World War II. The centre of the family is the widow Metsiers, who is called ‘the Mother’. Years ago, she murdered her husband, together with her lover Mon Verkindere, with whom she now lives on the farmstead. She has two children: Ana and Bennie. Bennie and his half-sister are driven ever closer together, until a love grows between them for which Bennie eventually has to pay the price.
At the end of his life and in the first two decades of the 20th century, Gezelle was hailed by the avant-garde as the founder of modern Flemish poetry, and his unique voice was also belatedly recognised in the Netherlands and often compared with his English contemporary Gerard Manley Hopkins.
A mix of acutely observed human passions and surrealist contradictions
Dietsche Warande en Belfort
Teacher Govert Miereveld becomes enchanted by his pupil Fran. Unable to express his love, he leaves the school and changes both his job and hometown. Ten years later he attends an autopsy, which affects him a great deal. Later that day, he also runs into Fran in the hotel where he is staying. That night, he visits her in her hotel room, where a drama unfolds.
This splendid, painful, sparkling book is worth reading and rereading
De Standaard
‘My Little War’ is based on Boon's own war experiences during World War II. It is a collection of thirty loosely interrelated chapters, each containing a story that can be read independently. ‘My Little War’ is to Flemish literature what ‘Voyage au bout de la nuit’ by Louis-Ferdinand Céline is to French literature: a slap in the face to bourgeois literature, a radical experiment that thoroughly shook up the traditional novel.
A finely tempered piece, with an intuitive sympathy for strange modes of feeling
The Times
‘Will-O’-The-Wisp’, the last of Elsschot's novellas, tells the story of the nocturnal search by the rather washed-up Frans Laarmans and three Afghan sailors for the mysterious Maria van Dam. The simple plot of a fruitless search in an urban setting contains undertones of a wider parable of the quest, thus making a concentrated summary of the themes that run through all Elsschot’s novels.
A literary all-rounder who explores all facets of life
De Volkskrant
‘Pitfalls’ is a varied collection of letters, verse and short stories. The excerpts from the letters – which were never intended to be made public – caused a furore at the time. The title refers to the obstacles between Minne and the process of writing, between the author and publication – in other words, to the aforementioned struggle. As Minne put it: ‘Caution, enter at your peril!’
An enthralling creation myth with almost biblical appeal and ambition
De Morgen
In ‘Houtekiet’, Walschap gives a concise, powerful portrayal of his own ideal of the individual and society. ‘Houtekiet, that’s me,’ he admitted. This is a novel about civilisation and faith that goes beyond the traditional differences between culture and nature, between institutionalised religion and individual vitalism.
Elsschot possesses the rare knack of making a reader laugh, squirm and sob, all at the same time
The New York Times
The novellas ‘Soft Soap’ (1924) and ‘The Leg’ (1938) are two highlights from Elsschot’s fiction, linked by a common narrative and featuring the recurring tragicomic Keatonesque character of Frans Laarmans who also appears in Will-o’-the-Wisp (1946).
In a series of fascinating scenes, Gilliams evokes the vulnerable position of a boy growing up amongst older people in a world shaped by nostalgia and the fear of life. Elias perceives that world ‘in the lucidity of a dream’. The precision of observation and narrative evocation is what makes ‘Elias’ such a masterpiece.
The most beautiful ode to rural life ever written in the Dutch language
De Standaard
Farmer Wortel recounts the story of his life: his connection to the soil which he works, his relationship with God (and pastor), and his natural acceptance of his and his family’s fate. The story, written in the first person, echoes with this simple man’s love for life.
One can speak of Elsschot’s oeuvre as great European literature
Frankfurter Allgemeine Zeitung
Since its publication in English, ‘Cheese’ has conquered the world with translations in more than 30 languages. The novella deals with an episode in the life of Frans Laarmans, a clerk who is suddenly made chief representative of a Dutch cheese company. ‘Cheese’ is a satire of the business world and the perfect vehicle for Elsschot’s dry humorous style. In a brilliant evocation of the thirties, it depicts a world full of smart operators and failed businessmen.
‘Novellas that attempt to make a fool of people,’ is how Paul van Ostaijen once described his grotesques. In these astonishing texts full of absurd blow-ups, he lashed out against the wrongs of his time, mercilessly unsettling all logic.
Streuvels is the Tolstoy of the Lowlands. Magisterial.
David Van Reybrouck
This story gives an inimitable description of the monotony and finiteness of life against the backdrop of a drunken, nocturnal atmosphere in which dream and reality are masterfully interwoven. With this novella, bathed in a magic-realistic atmosphere, Streuvels has written one of the loveliest short stories in Dutch literature.
A wonderful book, in my opinion. All real people, larger than life.
Willem Elsschot
‘The Aunts’ is a classic novel about the tragedy of a petit-bourgeois family in the early 20th century. This literary tale is, above all, an indictment against the oppressive class-ridden society of the time, but the melodramatic highpoints and the cynical tone will effortlessly fascinate today’s reader.
Embedded in a fragmentary atmospheric sketch of life in the port of Antwerp during World War I, ‘Occupied City’ is first and foremost a settling of accounts with the bourgeois culture and politics of Ostaijen’s period. The Dadaist influence from his time in Berlin can be found in its inventive rhythmical typography, its use of the collage technique, and the radicalism of its unparalleled cynical evocation of wartime suffering.
‘Whitey’ by Ernest Claes is a picaresque novel about youthful escapades and growing up. Set in the village of Zichem in De Kempen, the Flemish region where both the author and his character were born, it is one of the prototypes of the immensely popular regional novel. The story of the hero’s childish pranks is a classic of Flemish literature, which has been adapted for the big screen on two occasions.
Maybe it’s the finest thing by Van de Woestijne that we have
Martinus Nijhoff
Evening falls, it grows dark, the peasant Nand is lying alone in bed and is cold. Scraps of his life flash by his mind’s eye. ‘The Dying Peasant’ isn’t just an anecdotal peasant novella, but a symbolic tale that excels in its simplicity.
An ‘ode to life’ written after a moral and physical crisis, ‘Pallieter’ was warmly received as an antidote to the misery of World War I in occupied Belgium. ‘Pallieter’ is a portrait of Flemish rural life in which there is never a cheerless moment.
One can speak of Elsschot’s oeuvre as great European literature
Frankfurter Allgemeine Zeitung
Set in a down-market Paris boarding house before World War I, this novel is a masterpiece of ironic black humour. The Villa’s owner, the energetic Madame Brulot, is childless and lavishes more affection on her pet monkey, Chico, than on her husband, an embittered ex-solicitor.
Streuvels is the Tolstoy of the Lowlands. Magisterial.
David Van Reybrouck
‘The Flax Field’ is constructed as a classic tragedy, and tells of the tragic conflict between father and son Vermeulen. The father rules over his entire farm as an authoritarian patriarch. But Louis, his almost grown up son who has quite a bit of insight into farming, thinks differently.
In ‘The Van Paemel Family’, Cyriel Buysse addresses the social exploitation and immense poverty of the rural population. Buysse paints a picture of how the farmer becomes ruined and his family falls apart as a result of socioeconomic conditions. Although Buysse offers no solutions to the conflict, there is still a glimmer of hope.
Conscience is a Flemish icon, his writing renowned and devoured within his lifetime, even outside of the borders of the newly-independent Belgium
Cobra
The book tells the tale of the conflict between the cities and the lawful French monarch in the County of Flanders during the Middle Ages, culminating in the victory of a Flemish peasant militia over the French knights at the 1302 Battle of the Golden Spurs. Conscience enriches events with a great deal of imagination, and so his account morphs into a heroic, superhuman struggle with a timeless and symbolic significance.
