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Hugo Claus

Ten years ago, on 19 March 2018, Hugo Claus passed away. Following the anniversary of his death, Flanders Literature would like to highlight a number of titles in his extensive oeuvre, comprising fiction and poetry as well as drama. Claus is one of Flanders' greatest authors and his work is both classic and timely.

From enfant terrible to literary lion: Hugo Claus (1929-2008) 


  • Cover Het verdriet van België
    The greatest classic in Flemish literature
    Cover Het verdriet van België
    The greatest classic in Flemish literature
    The Sorrow of Belgium
    One of the landmark European novels of the post-war era
    J.M. Coetzee

    This Bildungsroman is also a social document about political and social misfortune in Flanders before, during, and after World War II. The novel has continued to be a bestseller for many years and has been translated into numerous languages.

  • Cover - The Rumours
    Cover - The Rumours
    The Rumours
    The text radiates a delight in writing
    De Morgen

    ‘The Rumours’ evokes a panoramic image of 'la Flandre profonde', delving beneath the shiny veneer into the depths of its corruption and violence. Comprehension of the central storyline is hampered by the permanent tension between truth and lie. All this is presented by Claus in a playful style, as if we were reading not a dramatic allegory but a juicy village chronicle.

  • The Year of Cancer
    With frightening precision, 'The Year of Cancer' sums up just how ugly love can be
    De Morgen

    Pierre, a suave young man from the insurance and banking world falls for Toni, a simple and somewhat unstable beautician working in show business. The couple gradually drift apart, until the inevitable break-up follows. Pierre continues to read Toni’s horoscope, Cancer. A couple of years later, he is called to her sickbed.

  • Cover The Duck Hunt
    Cover The Duck Hunt
    The Duck Hunt
    Truly sublime
    Simon Vestdijk

    'The Duck Hunt' is the story of a Flemish farming family during World War II. The centre of the family is the widow Metsiers, who is called ‘the Mother’. Years ago, she murdered her husband, together with her lover Mon Verkindere, with whom she now lives on the farmstead. She has two children: Ana and Bennie. Bennie and his half-sister are driven ever closer together, until a love grows between them for which Bennie eventually has to pay the price.

  • Wonder
    A work of savage satire
    The New York Review of Books

    ‘Wonder’ is without any doubt one of the landmarks of twentieth-century Dutch literature. The baroque plot is intertwined with strong psychological portraits, scenes from Flemish military history and lurid images of desire.

  • Cover Misery Loves Company. A Life In Stories
    Cover Misery Loves Company. A Life In Stories
    Misery Loves Company. A Life In Stories
    Incredible to see how much beauty someone can produce in half a century
    De Telegraaf

    Hugo Claus is the internationally acclaimed author of dozens of plays, novels and collections of poetry. But over the course of 50 years he also wrote many short stories. A half-century filled with grotesque nightmares and charming scenes of love and loss, with mysterious and comical characters populating Claus’ characteristic bitter-sweet world.

  • Cover Poems 1948-2004
    Cover Poems 1948-2004
    Poems 1948-2004
    Impressive, many-voiced poetry, generous, rich, unhampered by conventions of fashion or good taste
    Jury VSB Poetry Prize

    Although Claus is a stirring eclectic who displays a masterful variety of genre and style in all his activities, the basic theme of his work is clearly the urge for freedom, which must be fought for in family, church and society. Claus’ work addresses not only the malaise in society, but also inner unease.

  • Cover Friday
    Cover Friday
    Friday
    ‘Friday’ introduced characters who became classics.
    De Volkskrant

    Claus does not shy away from brutality in this piece. In fluent and vivid colloquial language, a mix of words and idioms from the West Flemish dialect and standard Dutch, he delivers a raw story that crossed all boundaries of genre and decency at the time.