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Flanders Literature helps publishers and festival organisers find that one particular title or author that is the perfect fit for their list or audience. So take a good look around, we present a selection of the finest literature from Flanders. If you like what you see, please get in touch with us for further information.

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  • A Revolver Shot
    A Revolver Shot
    A Revolver Shot
    Loveling gives us an uncompromising, heart-rending glimpse into the emotions of someone who repeatedly gets the short end of the stick in life.
    Annelies Verbeke

    Marie and her sister Georgine, who is eleven years younger, live together in the family home after the death of their parents. Both sisters fall in love with their neighbour Luc Hancq, but he strings them along, leading to his murder and Marie's madness. In this brilliantly structured book, with its virtuoso use of perspective, Loveling takes the reader on a harrowing journey through the protagonist’s psyche. 

  • Cover 'The Sun'
    Cover 'The Sun'
    The Sun
    A work of art full of tiny and often funny details
    Het Laatste Nieuws

    Peter Goes delves into the science and myths surrounding the most important star in our galaxy. In beautifully composed spreads that brim with ingenious details, he throws light on the knowledge and convictions of people including the ancient Greeks, the Aztecs and the inhabitants of the Indus Valley, and describes the scientific developments of more recent times. ‘The Sun’ is a new highpoint in Goes’ oeuvre.

  • Wake
    Wake
    Wake
    This plea for freedom and imagination deserves attentive readers
    Poëziekrant

    For Kurt De Boodt poetry is word art. He sees every collection as a new exploration. His poems are especially loved by readers who love the richness of the Dutch language and the sounds it can evoke, readers who know to embrace the language plays the poet enfolds in every poem.

  • Cover of the book
    Cover of the book
    April
    A glimpse into the backrooms of diplomacy, the role of women and the subtly shifting power relations.
    De Standaard

    In Willem de Wolf’s theatre text ‘April’, the American ambassador April Glaspie, Iraqi Foreign Minister Tariq Aziz and a news anchor revisit events. The subject of this fictitious conversation is that other, historical conversation in the summer of 1990 that nobody wants to talk about.

  • Cover of the book
    Cover of the book
    We take it from here
    Complex, intriguing, clever, witty, poignant, musical and bitter. In a word, highly recommended.
    De Correspondent

    ’We take it from here’ starts off as a list of things that the actors and characters feel guilty about, ranging from childhood memories, like stealing a Barbie doll, to existential questions about their relationships, the ways in which they have wronged the people they love, or their complicity in current and universal problems such as the refugee crisis.

  • Cover of the book
    Cover of the book
    The Shell Trial
    Nuyens and De Wit explain in exquisite detail that the climate crisis is primarily a crisis of responsibility at this moment in time.
    NRC

    In ‘The Shell Trial’ all the different voices can be heard in five monologues: the oil giant’s CEO, the worried citizen, a distraught consumer, the government and the future generations that recently organised a worldwide protest because not enough is being done to tackle the climate crisis.

  • Cover of the book
    Cover of the book
    Head-on
    This verbal joust remains captivating throughout.
    De Standaard

    Head-on’ is a tragic story with comedic touches that allow playwright Jan Sobrie to keep things light-hearted as the conflict between the two sisters intensifies and culminates in a literal and figurative head-on collision with serious consequences.

  • The Channel
    Unconventional music theatre that boldly opts for simplicity and humour to make a powerful and incisive statement about living with hope in a time of escalating despair.
    Knack

    The lives of the two main characters in ‘The Channel’ unexpectedly become intertwined. On one side of the Channel, on Calais beach, a refugee is getting ready to make the crossing in search of a new beginning. Across the water, on the chalk cliffs of Beachy Head, trans woman Margaret is about to hurl herself into the sea to end it all. Eventually, their paths cross and life takes an unpredictable turn. This compelling music theatre libretto puts a face to the marginalisation of ‘the other’.

  • Cover of the book
    Cover of the book
    Salam
    Salam impresses with this abundance of ideas, artistry and uncomfortable truths. Luckily, the surprisingly heart-warming conclusion calms the overwhelmed spirit down again.
    Trouw

    At a time of worldwide religious conflict between Islam, Judaism and Christendom, ‘Salam’ takes you back to the beginning: the story of Abraham and his sons Isaac and Ishmael. ‘Salam’ is a theatre text about a father who struggles to show love and two brothers who are growing further and further apart because they both want to be recognised as heir. El Azzouzi opts to represent this clash as a humorous and human story about love, jealousy and hurt.

  • Cover 'The Very Best Invention in the Whole Wide World'
    Cover 'The Very Best Invention in the Whole Wide World'
    The Very Best Invention in the Whole Wide World
    Fun and colourful, enjoyable and accessible.
    De Standaard

    Lola is clever. Very clever. She solves every single problem with her inventions. But there’s one problem she doesn’t have a solution for: her little brother Lander seems sad. Why doesn’t he want to play with her? In her colourful drawings, Debroey shows that knowledge can be for everyone and that you’ve always got something to learn, no matter how clever you are.

  • Minyan
    Personal, genuinely interested and unbiased. No wonder that the people she speaks to are prepared to open up to her.
    Zin Magazine

    The Orthodox-Jewish community continues to capture the imagination. In ‘Minyan’, Margot Vanderstraeten gives the reader a glimpse into this world by interviewing several prominent figures. As she reports on her Hasidic neighbours, who live so close yet whose lives are so different, her tone is sometimes serious, sometimes light-hearted, but always genuinely involved.

  • Skin
    An engaging, intimate and expressive portrait of two women, with exciting and vivid drawings
    9e kunst

    This extraordinary graphic novel tells the story of two women at a crossroads in their lives. Rita, a middle-aged woman who has just got divorced, challenges herself by becoming a nude model in drawing classes given by Esther. Vulnerability and courage, looking and being looked at, daring to be naked and closeness are all central themes.

  • Cover 'The Blind'
    Cover 'The Blind'
    The Blind
    De Saeger rightfully claims his place within the group of distinct and talented Flemish illustrators-storytellers.
    Enola

    A group of blind people takes a daytrip into the woods. They are led by an older, sighted guide. When he suddenly turns out to have vanished, the group tries to pass the time, but they edge closer and closer to panic. Based on a play by Belgium’s only winner of the Nobel Prize for Literature, Maurice Maeterlinck, ‘The Blind’ is an intriguing drama and an intense visual experience.

  • Cape Ursus
    Bontenakel proves that he is a superb storyteller ****
    De Standaard

    A natural disaster is destroying Cape Ursus, a remote island in the middle of the North-Atlantic. The small community that lives there in the late nineteenth century is descended from castaways and has to fend for itself. Young teacher Ellie dreams of leaving the island, but her mother’s dementia is stopping her. And then she discovers someone else with serious plans to leave the island. 

  • Cover of the book
    Cover of the book
    High Tide, Blue Moon
    Janzing draws you into an Impressionist painting and makes you part of the scene ****
    De Standaard

    Late nineteenth century: Léonie Osterrieth organizes salons in her grand townhouse. She has a soft spot for explorers and wants to help Adrien de Gerlache to become the first human being to overwinter on the South Pole. Thanks to her, the Belgica sets sail from the port of Antwerp. Drawing on the correspondence between Léonie and her entourage, Janzing reconstructs the experiences of captain and crew.

  • Cover of Machiavelli’s Audacity
    Cover of Machiavelli’s Audacity
    Machiavelli’s Daring. Philosophy for Free People
    The Machiavelli Beeckman presents is a surprising and confrontational teacher.
    De Standaard

    Beeckman discusses Machiavelli’s original insights that are applicable today. In a challenging book, Beeckman leads the reader to the heart of Machiavelli’s thinking and shows that his works are a rich treasure trove of wise, sharp and clearly formulated insights.

  • Cover of The Discovery of Urk
    Cover of The Discovery of Urk
    The Mystery of Urk
    In the Belgian with the funny accent, Urk has found its own Louis Theroux who has opened up the village to the rest of the world.
    Tzum

    Dissatisfied with an article about a murder on Urk he wrote as a burgeoning journalist, Matthias M.R. Declercq returns in a renewed effort to get to grips with one of the most peculiar villages in the Netherlands. For six months, Declercq lives in the most closed and orthodox fishing village in the Dutch Bible Belt, where he talks to the locals, prays with them, drinks with them, and even goes out fishing with them for a week. Little by little, the trust between them grows and a different reality comes to the fore.

  • Cover of Fire
    Cover of Fire
    Fire. A Forgotten Issue
    Written in a polished style with carefully structured arguments, this reads like a train.
    De Reactor

    In ‘Fire’, Ignaas Devisch develops a new idea about fire’s place in our world. If we plan on maintaining our quality of life, we will need a new source of energy that supports our freedom and wellbeing without destroying the planet and ourselves. The largest fireball in our galaxy – the sun – has this potential. But are we capable of embracing heliocentrism?

  • Cover of Crumbs of Comfort
    Cover of Crumbs of Comfort
    Crumbs of Comfort
    ‘Crumbs of Comfort’ is in short a mother book that places just about all those that have gone before in the shade.
    Knack

    ‘Crumbs of Comfort’ is anything but a hagiography, rather it is poetic, with pages of unvarnished and harrowing prose interspersed with lines of verse and colourful illustrations that give readers a chance to catch their breath. At the same time it is a raw and frank elegy about unexpected small gestures, motherly love, parting, looking back, remembering and the emergence of sisterly love.

  • Cover 'Shady'
    Cover 'Shady'
    Shady
    Shady is evocative and hilarious
    The Hundreds

    Shady has just one goal in life: to get attention. That’s the same, after all, as love and recognition. Both narcissistic and subject to crippling insecurity, he lives a life full of drama. ‘Shady’ is a merciless examination of our cultural and human depravities, and a real feast for the eye.

  • Cover of The Drummer of Borodino
    Cover of The Drummer of Borodino
    The Drummer of Borodino
    Magnetic and cruel. A fascinating book bathed in captivating graphics
    Télérama

    Vincent Bosse is a young drummer in Napoleon’s army. During the campaign in Russia, angel-faced Vincent manages to save his own skin time and again. Can a man be blamed for saving himself in a thoroughly insane situation? With watercolours and a limited but carefully chosen palette, Spruyt brings the war and its horrors convincingly to life. A brilliant exploration of a universal theme.

  • Cover of The Bamboo Girl
    Cover of The Bamboo Girl
    The Bamboo Girl
    A delicate, enchanting narrative, clear in words and pictures.
    De Morgen

    ‘The Bamboo Girl’ is an engaging and lavishly illustrated liberal adaptation of a 10th-century Japanese fairy tale. Mattias De Leeuw conjures up the Japan of times gone by, while Edward van de Vendel’s language is poetic and concise and full of beautiful imagery. A wondrous, extraordinary and moving fairy tale.

  • Cover of Ronke's Night-Time Adventures
    Cover of Ronke's Night-Time Adventures
    Ronke's Night
    Yet more evidence of Jef Aerts’ flair for language; some of Ronke’s perceptions are pure poetry.
    MappaLibri

    Ronke loves running. Preferably by the sea, with the wind in her hair, the sand beneath her feet and the smell of salt in her nose. But two years ago, she crashed into a toddler on the beach. Ronke is blind, that’s why. In ‘Ronke’s Night’ Jef Aerts brings the wonder of science and the power of the imagination together into a thrilling and poetic adventure.

  • Cover of Harvest
    Cover of Harvest
    Harvest
    A heart-rending, harrowing book. Rhythmical prose, with great authority. ****
    NRC

    The Romanian Alina travels to Sicily with her eleven-year-old son Lucian to work in tomato cultivation, in order to earn money that’s badly needed at home. They have high hopes, but the reality is shocking. This socially engaged page-turner is not just a book about contemporary labour migration, exploitation and oppression, it is above all a story of resilience, the power of motherhood and women’s self-reliance.

  • Cover of Beter Late Than Never
    Cover of Beter Late Than Never
    Better Never Than Late
    Radiant fiction. This essential book shines a light on personal experiences of migration in ways that illuminate and surprise.
    Bernardine Evaristo

    In this intriguing mosaic of ten stories Unigwe chronicles the unusual lives of a group of Nigerian immigrants who are making their way in Belgium. They all left their country in the hope of a better life, but the pain of missing Nigeria is a heavy price to pay. Readers will be moved by the realistic, recognisable characters and Unigwe’s empathetic analysis of a migrant community, the situation they fled and the disappointments in their new country.

  • Trains and Rooms
    At times poignant, at times shocking, but just as often witty enough to make you burst out laughing.
    Cutting Edge

    Annelies Verbeke interweaves more than four thousand years’ worth of literature from around the world. Inspired by better and lesser known classics from before 1900, the fifteen pieces in this collection form a kaleidoscope full of interrelated moments. ‘Trains and Rooms’ is like a hall of mirrors in which new doors keep opening up into other eras and narratives. It reinforces her reputation as the ‘Queen of the Flemish short story’.

  • Cover 'The Beetle and the King'
    Cover 'The Beetle and the King'
    The Beetle and the King
    Wondrous. Madness in the beauty or beauty in the madness, who’s to say?
    Cutting Edge

    1899. Belgian Joseph Lippens travels to the Congo, where his father disappeared off the face of the earth several months earlier. In this scintillating debut, Thibau Vande Voorde shows us what he is capable of. With virtuoso control of his colour pencils, he conjures up the scorching heat and the beautiful abundance of Congo, as well as the contorted facial expressions of a man who becomes a victim of his own ambition.

  • Cover of 'Full of Fruit'
    Cover of 'Full of Fruit'
    Full of Fruit
    It is about the pure pleasure of looking, and then looking again
    De Morgen on ‘Whose Zoo?’

    A playful, wordless picture book with a starring role for fruits, vegetables and insects, which encourages readers to look, search and look again like never before. Geert Vervaeke plays with simple, pure forms and vibrant colours that, when combined, produce unexpected new images. She hopes that this book will encourage children to let their imagination run wild.

  • Cover 'Never Alone Again'
    Cover 'Never Alone Again'
    Never Alone Again
    A moving stroll through early parenthood and all the powerful emotions that go with it
    De Morgen

    Having a child marks the greatest possible change to a life and ‘Never Alone Again’ aims to illuminate not just the wonder it brings but the darker side too. Ephameron describes the multiplicity of emotions upon a child's arrival not in a straightforward story but as fragmented impressions in watercolour. This creates an extraordinarily intimate atmosphere and provides an intense reading experience.

  • Cover of Wild Woman
    Cover of Wild Woman
    Wild Woman
    His crowning achievement. Olyslaegers masterfully takes us back to the time of the Great Iconoclasm and Bruegel. *****
    De Standaard

    During the turbulent 1560s, trade is flourishing in Antwerp and Beer’s inn becomes a refuge for freethinkers and trailblazers. Ten years later, Beer, now in Amsterdam, looks back on the events that prompted him to flee his native city. ‘Wild Woman’ is a monumental novel about the longing for unity and the discovery of an inner truth, about friendship, community, faith and betrayal. With his rich, sumptuous and debauched language, Olyslaegers drags you into the dark alleyways of the 16th century.

  • Cover of Raw and As If
    Cover of Raw and As If
    Raw and As If
    ‘Raw and As If’ long clings to your skin ****
    Het Nieuwsblad

    A young woman murders the man with whom she’s been having an affair for some time. ‘Raw and As If’ is not just a gripping ‘whydunnit’ but an expressively written psychological story about the consequences of a loveless childhood. Tack’s unemotional style builds the tension and sustains the dark world and psyche of the narrator.

  • Cover of Bump
    Cover of Bump
    Bump
    A gem of a book that is as fragile and strong as her characters
    The Low Countries

    ‘Bump’ is a poetic fable. Through the triangular relationship between the central characters, it beautifully reveals how difficult it can be to integrate other people into your own desires, and how miraculous moments of connection are. Tender, brief dialogues offer glimpses into a past marked by bereavement.

  • Cover of Jam Street
    Cover of Jam Street
    Jam Street
    'Jam Street’ is chockful of beautiful observations and stylistic gems.
    Haarlems Dagblad

    ‘Jam Street’ is a poetic story about a culture clash in a deprived neighbourhood in Flanders, and it is also an ode to the beauty of the banal. The novel describes the brutal and raw reality of life in the margins, yet it is soft and tender at the same time.

  • I Have Travelled Far, But Won't Stay Long
    An atmospheric, melancholic graphic novel about growing up in the nineties *****
    NRC

    Gus is in his thirties when he returns to the village where he grew up. Cas and his friends are in their final year in school, balancing on the cusp of adulthood, and can’t wait to get away. Ward Zwart shows himself a master of low-key yet telling images and detailed facial expressions, rendered fully in pencil. It’s the poetry of small things that, more than anything, speaks loud and clear in the work of Zwart and Smits.

  • Cover 'The Mystery of the Thinking Rabbit'
    Cover 'The Mystery of the Thinking Rabbit'
    The Mystery of the Thinking Rabbit
    Astonishing illustration
    De Morgen

    This collection of four short stories for children by renowned Brazilian author Clarice Lispector is bursting with quirkiness and amusing ideas. And who better to illustrate these remarkable tales than Gerda Dendooven? In Dendooven’s work it’s not just the people whose faces are full of personality – she can seemingly effortlessly imbue a chicken or a rabbit with an inner world. Her utterly unique style complements Lispector’s like no other.

     

  • Cover 'The Bike Book'
    Cover 'The Bike Book'
    The Bike Book
    Charming and written with great passion. The love of language is palpable throughout.
    NRC

    In ‘The Bike Book’ duo Paul de Moor and Wendy Panders invite you to take a seat on their tandem for a wild ride, showing you everything that’s beautiful about bikes along the way. With his confident language, De Moor effortlessly sweeps you up in his enthusiasm. He leaves nothing out, so you can’t help but agree with the book’s subtitle: everything about the best invention ever.

  • Cover 'Tourmaline'
    Cover 'Tourmaline'
    Tourmaline
    Ramos’s playful, lovely art stands strongly on its own
    The New York Times on ‘Sonia Delaunay: A Life of Color’

    A beautiful princess called Tourmaline is imprisoned in a tall tower. Only the bravest knight of all can free her. Knight after knight is sure that he’s the bravest, but they all fail in their quest. Luckily there’s one fearless knight who doesn’t let anything daunt him. Or should that be: daunt her? A gentle, funny and atmospheric plea for more openness and less prejudice.

  • Cover 'Assholes'
    Cover 'Assholes'
    Assholes
    Shameless locker-room banter, portrayed with impressive visual style
    Cutting Edge

    Simon Kennedy and Chuck Atkins are well-known TV presenters. In the course of an 18-hole round of golf, we get to know them as sexist, racist jocks who are utterly repellent in every way. Bram Algoed’s minimalist illustrations pare this portrait of toxic masculinity down to the essence. ‘Assholes’ is outrageous, repulsive, disturbing and downright hilarious.

  • Cover of Henry
    Cover of Henry
    Henry
    Modest and endearing yet grandiose and awe-inspiring
    Pluizuit on ‘Pigeon’

    Henry has a beautiful view of nature from his window, but his room is bleak and bare. Luckily he knows how to fix this: he’ll bring some of that beauty inside. In ‘Henry’, the acclaimed illustrator duo Jacques & Lise play with concepts like ‘empty’ and ‘full’, and the pages feature real peepholes. A beautifully designed book. 

  • Cover of Heroes
    Cover of Heroes

    The ancient Greeks didn’t have it easy. Their country seemed to be awash with magical creatures, usually with malign intentions. And they also had to fear the wrath of the gods. This book recounts all the well-known Greek myths and legends in a modern and humorous way.

  • Tatave!
    A meticulously documented and beautifully illustrated biography of a fascinating figure
    Mappa Libri

    Paul-Gustave van Hecke (1887-1967) was a man of many talents. Fifty years after his passing, Manu van der Aa brings Tatave to life again, and with him half a century of Belgian art history. 

  • Cover of Daughter of Decolonisation
    Cover of Daughter of Decolonisation
    Daughter of Decolonisation
    This book is far from a dry account of the facts. This historical work is accessible to a general readership.
    De Standaard

    Nadia Nsayi, born in Kinshasa, but raised by adoptive parents in a provincial town in Flanders after the death of her birth father, starts doing genealogical research into her roots while at university. She discovers that her family history is closely entwined with the history of Belgium and the Congo. Apart from looking at her own development and growing awareness, Nsayi calls for decolonisation via an official apology for the colonial injustices and for decolonisation as restoration.

  • Cover of The Book of Daniel
    Cover of The Book of Daniel
    The Book of Daniel
    A book you can’t put down and that sends shivers down your spine.
    De Morgen

    Found among the rubble of a burnt-down old farm is the lifeless body of its owner, 84-year-old farmer Daniel. Farmer Daniel is the uncle of writer and journalist Chris De Stoop. In his familiar sober style, Chris De Stoop registers all the different aspect of this case and ends up creating a devastating literary drama.

  • Cover 'My Comrade, Che Guevara'
    Cover 'My Comrade, Che Guevara'
    My Comrade, Che Guevara
    Four books for the price of one: an adventurous travelogue, a suspenseful whodunit, a biography and a history book
    Gazet van Antwerpen

    Hilde Baele met Mzee Jerôme Sebasoni, a gardener, in Kigali, Rwanda. He told her his incredible life story. He claimed to have fought against the Belgians and to have been a close comrade of Che Guevara’s in the struggle to oust the Congolese dictator Mobutu. Baele roped in her illustrator friend Jeroen Janssen to help her get to the bottom of Che's guide's claims. All the powerful graphic material in this impressive book was sketched and painted on the spot by Janssen. This is a remarkable testament to an extraordinary life story.

  • Cover of Colombe
    Cover of Colombe
    Colombe
    Beautifully written debut*****
    Boeklovers

    A tender novel capturing the soberness of rural life, the daily routine and the things that are unspoken. About a subtly developing love triangle, with eye for nuance and the complexity of the multifaceted love between the characters.

  • Cover 'A Rope in the Air'
    Cover 'A Rope in the Air'
    A Rope in the Air
    De Leeuw never fails to enchant us
    Pluizuit

    A dangling rope takes us on a chase through a city in this scintillating picture book without words. It is grabbed in turn by a water ballerina, a super hero, a window cleaner, a monkey in the zoo and a bandit on the run. Where does that rope come from? In this cheerful story, Mattias De Leeuw exploits the innate flamboyance of his drawing style.

  • Cover 'The Blues Against the Reds'
    Cover 'The Blues Against the Reds'
    The Blues Against the Reds
    Original and utterly funny
    Pluizuit

    Tomorrow morning Bluebeard and his brave knights will make mincemeat of Redfang and his men. Redfang is hatching the same plan. But as the two warring bands advance towards each other, they discover that bloodshed can wait. Game on! Restricting himself to using only a four-colour ballpoint pen, Benjamin Leroy has created a high-spirited adventure in four colours.

  • Cover of Lightning Stone
    Cover of Lightning Stone
    Lightning Stone
    A fascinating and intense homage to his father
    Trouw

    In ‘Lightning Stone’ Johan de Boose takes the reader on a journey across the US. With his warm, affectionate pen de Boose evokes a vivid world, cleverly alternating between contemplative-philosophical and familiar, as well as striking the occasional humorous note.

  • Cover of MARX
    Cover of MARX
    MARX
    The sharpest political theatre I’ve seen for a long time.
    Klara

    In the theatre monologue ‘MARX’, the elderly philosopher appears onstage once more. What has he been proven right about, and which things did he get wrong? The result is sparkling theatre that is thought-provoking but also funny. A combative and critical defence of freedom and human dignity.

  • Cover 'Liar Liar'
    Cover 'Liar Liar'
    Liar Liar
    Cast-iron dialogues. Charlie’s anger is authentic and breath-taking
    JaapLeest

    Charlies father has left, without any explanation or goodbyes. She is furious. Not so much with her father as with her mother, who must surely have driven him away. When she discovers her father’s real situation, Charlie turns her anger on him. Everyone’s lying, Charlie thinks, and she decides to do the same. Charlie is a keen observer with a black sense of humour, and ‘Liar Liar’ is a razor-sharp portrait of a girl who knows she is being overlooked.